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This Book List Sectory 13
Page 07
Italy has been in all ages renowned for its beauty and fertility. The lofty ranges of the Apennines, and the seas which bathe its shores on both sides, contribute at once to temper and vary its climate, so as to adapt it for the productions alike of the temperate and the warmest parts of Europe. In the plains on either side of the Apennines corn is produced in abundance; olives flourish on the southern slopes of the mountains; and the vine is cultivated in every part of the peninsula, the vineyards of northern Campania being the most celebrated in antiquity.
Some of Charles's best friends were very much grieved at his pursuing such a course; others were very indignant; but the majority of the people around him at court were like himself in character and manners, and were only led to more open irregularity and vice themselves by this public example of their sovereign. In the mean time, the king moved on to Portsmouth, escorted by a body of his Life Guards. He found that his intended bride was confined to her bed with a sort of slow fever. It was the result, they said, of the roughness and discomforts of the voyage, though we may certainly imagine another cause. Charles went immediately to the house where she was residing, and was admitted to visit her in her chamber, the many attendants who were present at the interview watching with great interest every word and look on either side by which they might judge of the nature of the first impression made by the bride and bridegroom upon each other. Catharine was not considered beautiful, and it was natural that a degree of curiosity should be manifested to learn how Charles would regard her.
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
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