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This Book List Sectory 08
Page 01
The war was now confined to Sicily; but, since the defeat of Regulus, the Roman soldiers had been so greatly alarmed by the elephants, that their generals did not venture to attack the Carthaginians. At length, in B.C. 250, the Roman proconsul, L. Metellus, accepted battle under the walls of Panormus, and gained a decisive victory. The Carthaginians lost 20,000 men; 13 of their generals adorned the triumph of Metellus; and 104 elephants were also led in the triumphal procession. This was the most important battle that had been yet fought in Sicily, and had a decisive influence upon the issue of the contest. It so raised the spirits of the Romans that they determined once more to build a fleet of 200 sail. The Carthaginians, on the other hand, were anxious to bring the war to an end, and accordingly sent an embassy to Rome to propose an exchange of prisoners, and to offer terms of peace.
The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.
Such being well-established facts respecting the Asiatic anthropoids, analogy alone might justify us in expecting the African species to offer similar peculiarities, separately or combined; or, at any rate, would destroy the force of any attempted _a priori_ argument against such direct testimony as might be adduced in favor of their existence. And if the organization of any of the African apes could be demonstrated to fit it better than either of its Asiatic allies for the erect position and for efficient attack, there would be still less reason for doubting its occasional adoption of the upright attitude, or of aggressive proceedings.
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