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This Book List Sectory 05

Many disturbances occurred during Edward's reign in different parts of the country, especially on the Welsh border. At the Christmas meeting of the King and his Wise Men, at Gloucester, in 1053, it was ordered that Rhys, the brother of Gruffydd, the South Welsh king, be put to death for his great plunder and mischief. The same year, the great Earl Godwine, while dining with the king at Winchester at the Easter feast, suddenly fell in a fit, died four days after, and was buried in the old cathedral. A few years later (1065), the Northumbrians complained that Earl Tostig, Harold's brother, had caused Gospatric, one of the chief Thanes, to be treacherously murdered when he came to the King's court the Christmas before. King Edward kept his last Christmas (1065), and had the meeting of his Wise Men in London instead of Gloucester as usual. His great object was to finish his new church at Westminster, and to have it hallowed before he died. He lived just long enough to have this done. On Innocent's Day the new Minster was consecrated, but the King was too ill to be there, so the Lady Edith stood in his stead.

This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.



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