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This Book List Sectory 24
Page 09
The Gaun Bagudzitash, or Dance of the Gods, is the one ceremony of the Apache that bears any material resemblance to the many Yebichai dances or "chants" of the Navaho, and even then the only feature common to the two is that the men, typifying gods, wear elaborate masks. The Apache are not unfamiliar with the making and employment of dry-paintings for the treatment of the sick, as has been seen. Originally the dry-paintings and the _gaun_, or gods, always appeared together, but in recent years the Gaun dance has been conducted preliminary to and as a part of medicine, puberty, and war ceremonies. Captain Bourke, in his "Medicine-men of the Apache" (Ninth Report of the Bureau of Ethnology, 1892), speaks of this as the Spirit or Ghost dance. Though performed infrequently now, as compared with other dances, on account of the expense and of disapproval by the agents, the Gaun Bagudzitash is unquestionably the most popular ceremony conducted by the Apache.
Sylla was now in the possession of absolute power. He was master of Rome, and of all the countries over which Rome held sway. Still he was nominally not a magistrate, but only a general returning victoriously from his Asiatic campaign, and putting to death, somewhat irregularly, it is true, by a sort of martial law persons whom he found, as he said, disturbing the public peace. After having thus effectually disposed of the power of his enemies, he laid aside, ostensibly, the government of the sword, and submitted himself and his future measures to the control of law. He placed himself ostensibly at the disposition of the city. They chose him dictator, which was investing him with absolute and unlimited power. He remained on this, the highest pinnacle of worldly ambition, a short time, and then resigned his power, and devoted the remainder of his days to literary pursuits and pleasures. Monster as he was in the cruelties which he inflicted upon his political foes, he was intellectually of a refined and cultivated mind, and felt an ardent interest in the promotion of literature and the arts.
This boat was 72 feet in length, and her greatest height was 12 feet, while the greatest breadth was 8 feet, tapering off to points at the end. Capt. Murray Sueter in his book on submarines gives these and other particulars of the vessel. At either end the boat had a cabin, the air in which remained good for about three hours, and in the middle of the boat was a large paddlewheel rotated by clockwork mechanism, which, it was claimed, would run for eight hours when once wound up. The iron tips at the ends of the vessel were intended for ramming, and the inventor was confident he could sink the biggest English ship afloat by crushing in her hull under water. The boat was duly launched, but on trial of the machinery being made the paddlewheel, though it revolved in air, would not move in the water, the machinery being not powerful enough. This, says Capt. Sueter, was apparently the only reason for de Son's failure, for his principles were distinctly sound, and he was certainly the first inventor of the mechanically propelled semi-submarine boat. After her failure de Son exhibited her for a trifle to any casual passer-by.
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