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This Book List Sectory 24
Page 03
Viriathus appears to have been one of those able guerrilla chiefs whom Spain has produced at every period of her history. He is said to have been first a shepherd and afterward a robber, but he soon acquired unbounded influence over the minds of his countrymen. After the massacre of Galba, those Lusitanians who had not left their homes rose as a man against the rule of such treacherous tyrants. Viriathus at first avoided all battles in the plains, and waged an incessant predatory warfare in the mountains; and he met with such continued good fortune, that numbers flocked to his standard. The aspect of affairs seemed at length so threatening that in B.C. 145 the Romans determined to send the Consul Q. Fabius Maximus into the country. In the following year Fabius defeated Viriathus with great loss; but this success was more than counterbalanced by the revolt of the Celtiberians, the bravest and most noble-minded of the Spaniards. The war is usually known by the name of the Numantine, from Numantia, a town on the River Douro, and the capital of the Arevaci, the most powerful of the Celtiberian tribes.
These great reforms naturally excited the most violent opposition, and the Patricians induced some of the Plebeians to put their veto upon the measures of their colleagues. But Licinius and Sextius were not to be baffled in this way, and they exercised their veto by preventing the Comitia of the Centuries from electing any magistrates for the next year. Hence no Consuls, Military Tribunes, Censors, or Quaestors could be appointed; and the Tribunes of the Plebs and the AEdiles, who were elected by the Comitia of the Tribes, were the only magistrates in the state. For five years did this state of things continue. C. Licinius and L. Sextius were re-elected annually, and prevented the Comitia of the Centuries from appointing any magistrates. At the end of this time they allowed Military Tribunes to be chosen in consequence of a war with the Latins; but so far were they from yielding any of their demands, that to their former Rogations they now added another: That the care of the Sibylline books, instead of being intrusted to two men (duumviri), both Patricians, should be given to ten men (decemviri), half of whom should be Plebeians.
Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.
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