<-- -->

Free Web Hosting : Free Hosting : Troubled Teens : Report Abuse

This Book List Sectory 22
Page 12

Gently tumble dry on a light and feathery This Book List.

This Book List

This Book List Home
This Book List Sitemap
This Book List Sct 01
This Book List Sct 02
This Book List Sct 03
This Book List Sct 04
This Book List Sct 05
This Book List Sct 06
This Book List Sct 07
This Book List Sct 08
This Book List Sct 09
This Book List Sct 10
This Book List Sct 11
This Book List Sct 12
This Book List Sct 13
This Book List Sct 14
This Book List Sct 15
This Book List Sct 16
This Book List Sct 17
This Book List Sct 18
This Book List Sct 19
This Book List Sct 20
This Book List Sct 21
This Book List Sct 22
This Book List Sct 23
This Book List Sct 24

This Book List Sectory 22
Page 12

He was sick, too, at the time, with an intermittent fever. The paroxysm returned once in three or four days, leaving him in tolerable health during the interval. He went first into the country of the Sabines, northeast of Rome, where he wandered up and down, exposed continually to great dangers from those who knew that he was an object of the great dictator's displeasure, and who were sure of favor and of a reward if they could carry his head to Sylla He had to change his quarters every day, and to resort to every possible mode of concealment. He was, however, at last discovered, and seized by a centurion. A centurion was a commander of a hundred men; his rank and his position therefore, corresponded somewhat with those of a _captain_ in a modern army. Caesar was not much disturbed at this accident. He offered the centurion a bribe sufficient to induce him to give up his prisoner, and so escaped.

He forced his way through the passes of Antigonea, which were occupied by the enemy, invaded Thessaly, and took up his winter quarters in Phocis and Locris. In the following year (B.C. 197) the struggle was brought to a termination by the battle of Cynoscephalae (Dogs' Heads), a range of hills near Scotussa, in Thessaly. The Roman legions gained an easy victory over the once formidable Macedonian phalanx: 8000 Macedonians were killed and 5000 taken prisoners, while Flamininus lost only 700 men. Philip was obliged to sue for peace, and in the following year (B.C. 196) a treaty was ratified by which the Macedonians were compelled to renounce their supremacy, to withdraw their garrisons from the Grecian towns, to surrender their fleet, and to pay 1000 talents for the expenses of the war, half at once, and half by annual instalments in the course of ten years. Thus ended the SECOND MACEDONIAN WAR.

In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.



[ Dir 22 Part 01 ] [ Dir 22 Part 02 ] [ Dir 22 Part 03 ] [ Dir 22 Part 04 ] [ Dir 22 Part 05 ] [ Dir 22 Part 06 ]
[ Dir 22 Part 07 ] [ Dir 22 Part 08 ] [ Dir 22 Part 09 ] [ Dir 22 Part 10 ] [ Dir 22 Part 11 ] [ Dir 22 Part 12 ]


This document is Copyright © 2008 This Book List. All rights reserved. Do not copy either electronically or otherwise without permission. Links and references to other Websites are not endorsements. This Book List provides no guarantees or warrantees concerning other sites. Links are only provided as a courtesy and for entertainment purposes only.