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This Book List Sectory 17
Page 09
At present Albania is under six different regimes. Scutari and its neighborhood is governed by a local commission composed of Moslems and Christians. Avlona is also administered by a commission. The Mirdites form a separate State under Prenk Bib Doda. The Malissors remain isolated under their patriarchal institutions. The southern districts have been appropriated by the Greek invaders. Durazzo and the central regions obey Essad Pasha, who enjoys the title of Prime Minister and is recognized by the International Commission. That shadowy body, now reduced to four members, personates the ghost of the European concert. Except in the south the country is remarkably tranquil under its indigenous institutions.
Chapman was indeed a man to be pitied. He had now more than his head and hands full of trouble. The care it was now necessary to bestow on his wife (for she was above all else in his mind) in a great measure relieved him of the excitement caused by his great financial misfortunes. When, then, Mattie entered the parlor and found him comparatively calm, she fancied her mother had swooned from over-exertion on her behalf. Taking a seat beside her mother, she kissed and kissed her cheek, and proceeded to bestow upon her those attentions her case demanded, and in so kind and gentle a manner as to show how deep and true was the love she bore her.
With Duerer and Holbein German art reached its apogee in the first half of the sixteenth century, yet their work was not different in spirit from that of their predecessors. Painting simply developed and became forceful and expressive technically without abandoning its early character. There is in Duerer a naive awkwardness of figure, some angularity of line, strain of pose, and in composition oftentimes huddling and overloading of the scene with details. There is not that largeness which seemed native to his Italian contemporaries. He was hampered by that German exactness, which found its best expression in engraving, and which, though unsuited to painting, nevertheless crept into it. Within these limitations Duerer produced the typical art of Germany in the Renaissance time--an art more attractive for the charm and beauty of its parts than for its unity, or its general impression. Duerer was a travelled man, visited Italy and the Netherlands, and, though he always remained a German in art, yet he picked up some Italian methods from Bellini and Mantegna that are faintly apparent in some of his works. In subject he was almost exclusively religious, painting the altar-piece with infinite care upon wooden panel, canvas, or parchment. He never worked in fresco, preferring oil and tempera. In drawing he was often harsh and faulty, in draperies cramped at times, and then, again, as in the Apostle panels at Munich, very broad, and effective. Many of his pictures show a hard, dry brush, and a few, again, are so free and mellow that they look as though done by another hand. He was usually minute in detail, especially in such features as hair, cloth, flesh. His portraits were uneven and not his best productions. He was too close a scrutinizer of the part and not enough of an observer of the whole for good portraiture. Indeed, that is the criticism to be made upon all his work. He was an exquisite realist of certain features, but not always of the _ensemble_. Nevertheless he holds first rank in the German art of the Renaissance, not only on account of his technical ability, but also because of his imagination, sincerity, and striking originality.
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