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This Book List Sectory 16
Page 06
The Orang cannot put its feet flat on the ground, but is supported upon their outer edges, the heel resting more on the ground, while the curved toes partly rest upon the ground by the upper side of their first joint, the two outermost toes of each foot completely resting on this surface. The hands are held in the opposite manner, their inner edges serving as the chief support. The fingers are then bent out in such a manner that their foremost joints, especially those of the two inner-most fingers, rest upon the ground by their upper sides, while the point of the free and straight thumb serves as an additional fulcrum.
Once more I must caution the reader against expecting to find highly-finished gems of art in the chapels I have been describing. A wooden figure not more than two feet high clogged with many coats of paint can hardly claim to be taken very seriously, and even those few that were cut by Tabachetti himself were not meant to have attention concentrated on themselves alone. As mere wood-carving the Saas-Fee chapels will not stand comparison, for example, with the triptych of unknown authorship in the Church of St. Anne at Gliss, close to Brieg. But, in the first place, the work at Gliss is worthy of Holbein himself: I know no wood-carving that can so rivet the attention; moreover it is coloured with water-colour and not oil, so that it is tinted, not painted; and, in the second place, the Gliss triptych belongs to a date (1519) when artists held neither time nor impressionism as objects, and hence, though greatly better than the Saas-Fee chapels as regards a certain Japanese curiousness of finish and naivete of literal transcription, it cannot even enter the lists with the Saas work as regards elan and dramatic effectiveness. The difference between the two classes of work is much that between, say, John Van Eyck or Memling and Rubens or Rembrandt, or, again, between Giovanni Bellini and Tintoretto; the aims of the one class of work are incompatible with those of the other. Moreover, in the Gliss triptych the intention of the designer is carried out (whether by himself or no) with admirable skill; whereas at Saas the wisdom of the workman is rather of OberAmmergau than of the Egyptians, and the voice of the poet is not a little drowned in that of his mouthpiece. If, however, the reader will bear in mind these somewhat obvious considerations, and will also remember the pathetic circumstances under which the chapels were designed--for Tabachetti when he reached Saas was no doubt shattered in body and mind by his four years' imprisonment--he will probably be not less attracted to them than I observed were many of the visitors both at Saas-Grund and Saas-Fee with whom I had the pleasure of examining them.
As soon as the armies were quartered for the winter, the Romans sent an embassy to Pyrrhus to negotiate the ransom or exchange of prisoners. The embassadors were received by Pyrrhus in the most distinguished manner; and his interviews with C. Fabricius, who was at the head of the embassy, form one of the most famous stories in Roman history. Fabricius was a fine specimen of the sturdy Roman character. He cultivated his farm with his own hands, and, like his contemporary Curius, was celebrated for his incorruptible integrity. The king attempted in vain to work upon his cupidity and his fears. He steadily refused the large sums of money offered by Pyrrhus; and when an elephant, concealed behind him by a curtain, waved his trunk over his head, Fabricius remained unmoved. Such respect did his conduct inspire, that Pyrrhus attempted to persuade him to enter into his service and accompany him to Greece. The object of the embassy failed. The king refused to exchange the prisoners; but, to show them his trust in their honor, he allowed them to go to Rome in order to celebrate the Saturnalia, stipulating that they were to return to Tarentum if the Senate would not accept the terms which he had previously offered through Cineas. The Senate remained firm in their resolve, and all the prisoners returned to Pyrrhus, the punishment of death having been denounced against those who should remain in the city.
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