|
|
This Book List Sectory 03
Page 08
It should be borne in mind that my account is based upon the statements of the aborigines of that region (the Gaboon). In this connection it may also be proper for me to remark that, having been a missionary resident for several years, studying, from habitual intercourse, the African mind and character, I felt myself prepared to discriminate and decide upon the probability of their statements. Besides, being familiar with the history and habits of its interesting congener (_Trogniger_, Geoff.), I was able to separate their accounts of the two animals, which, having the same locality and a similarity of habit, are confounded in the minds of the mass, especially as but few--such as traders to the interior, and huntsmen--have ever seen the animal in question.
The fireplace, around which the family gathered, was one of the most important features in the Jamestown home. Its fire offered warmth in winter, afforded light at night, and cooked the family meals during the day. An oven, usually found at the back or at one side of the fireplace, baked the family bread and other foods. About the fireplace, many home chores were carried out, including spinning and sewing; and not far from the glow of the burning logs the children learned their daily lessons and received their early religious training. Social activities were enjoyed about the hearth, especially during the long winter evenings; and when a member of the family was ill, the fireplace and its accessories were in constant use. The fireplace was the first place visited by the housewife in the early morning, and was usually the last place where she performed her household duties late at night.
The third and last main stage of the palaeolithic epoch developed by degrees into a golden age of art. But I cannot dwell on all its glories. I must pass by the beautiful work in flint; such as the thin blades of laurel-leaf pattern, fairly common in France but rare in England, belonging to the stage or type of culture known as the Solutrian (from Solutre in the department of Saone-et-Loire). I must also pass by the exquisite French examples of the carvings or engravings of bone and ivory; a single engraving of a horse's head, from the cave at Creswell Crags in Derbyshire, being all that England has to offer in this line. Any good museum can show you specimens or models of these delightful objects; whereas the things about which I am going to speak must remain hidden away for ever where their makers left them--I mean the paintings and engravings on the walls of the French and Spanish caves.
|